“Soon?”
| “No, no! I cannot allow this,--this is a little too much,” cried Lizabetha Prokofievna, exploding with rage, and she rose from her seat and followed Aglaya out of the room as quickly as she could. |
| “But why, _why?_ Devil take it, what did you do in there? Why did they fancy you? Look here, can’t you remember exactly what you said to them, from the very beginning? Can’t you remember?” |
| In a word, the incident closed as such incidents do, and the band began to play again. The prince walked away after the Epanchin party. Had he thought of looking round to the left after he had been pushed so unceremoniously into the chair, he would have observed Aglaya standing some twenty yards away. She had stayed to watch the scandalous scene in spite of her mother’s and sisters’ anxious cries to her to come away. |
| “Oh, well,” thought the general, “he’s lost to us for good, now.” |
| “Very well, then there’s an experiment, and the thing is proved; one cannot live and count each moment; say what you like, but one _cannot_.” |
It was strange, Nastasia Philipovna felt, to see Aglaya like this. She gazed at her, and could hardly believe her eyes and ears for a moment or two.
| “I have told you already, that I will not go away until I have got what I ask. Why are you smiling, prince? You look as if you disapproved of me.” |
“What simplifies the duty before me considerably, in my opinion,” he began, “is that I am bound to recall and relate the very worst action of my life. In such circumstances there can, of course, be no doubt. One’s conscience very soon informs one what is the proper narrative to tell. I admit, that among the many silly and thoughtless actions of my life, the memory of one comes prominently forward and reminds me that it lay long like a stone on my heart. Some twenty years since, I paid a visit to Platon Ordintzeff at his country-house. He had just been elected marshal of the nobility, and had come there with his young wife for the winter holidays. Anfisa Alexeyevna’s birthday came off just then, too, and there were two balls arranged. At that time Dumas-fils’ beautiful work, _La Dame aux Camélias_--a novel which I consider imperishable--had just come into fashion. In the provinces all the ladies were in raptures over it, those who had read it, at least. Camellias were all the fashion. Everyone inquired for them, everybody wanted them; and a grand lot of camellias are to be got in a country town--as you all know--and two balls to provide for!
| The general shouted in his fury; but it was to be concluded that his wrath was not kindled by the expressed doubt as to Kapiton’s existence. This was his scapegoat; but his excitement was caused by something quite different. As a rule he would have merely shouted down the doubt as to Kapiton, told a long yarn about his friend, and eventually retired upstairs to his room. But today, in the strange uncertainty of human nature, it seemed to require but so small an offence as this to make his cup to overflow. The old man grew purple in the face, he raised his hands. “Enough of this!” he yelled. “My curse--away, out of the house I go! Colia, bring my bag away!” He left the room hastily and in a paroxysm of rage. |
“However, it’s all the same to me; laugh or not, just as you please. When I asked him about you, he told me that he had long since ceased to love you, that the very recollection of you was a torture to him, but that he was sorry for you; and that when he thought of you his heart was pierced. I ought to tell you that I never in my life met a man anything like him for noble simplicity of mind and for boundless trustfulness. I guessed that anyone who liked could deceive him, and that he would immediately forgive anyone who did deceive him; and it was for this that I grew to love him--”
“What? You don’t mean to say that he went there yesterday!” cried Gania, flushing red with shame and anger. “Good heavens, Varia! Speak! You have just been there. _Was_ he there or not, _quick?_” And Gania rushed for the door. Varia followed and caught him by both hands.
“Did it succeed?” asked Nastasia Philipovna. “Come, let’s try it, let’s try it; we really are not quite so jolly as we might be--let’s try it! We may like it; it’s original, at all events!”
The prince listened, smiling.“It is my mother’s. You get to her apartments by that passage.”
| “Give it to me,” said Parfen. |
Around him all was quiet; only the flutter and whisper of the leaves broke the silence, but broke it only to cause it to appear yet more deep and still.
| “Do you remember Ferdishenko?” he asked. |
“Tell us about the execution,” put in Adelaida.
“I have said above that the determination needed by me for the accomplishment of my final resolve, came to hand not through any sequence of causes, but thanks to a certain strange circumstance which had perhaps no connection whatever with the matter at issue. Ten days ago Rogojin called upon me about certain business of his own with which I have nothing to do at present. I had never seen Rogojin before, but had often heard about him.
| “With the greatest respect... and... and veneration,” replied Lebedeff, making extraordinary grimaces. |
| Colia’s eyes flashed as he listened. |
She went on her knees before him--there in the open road--like a madwoman. He retreated a step, but she caught his hand and kissed it, and, just as in his dream, the tears were sparkling on her long, beautiful lashes.
“It is not my intrigue!” cried Lebedeff, waving his hand.
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.“So be it, then. Gavrila Ardalionovitch,” she spoke solemnly and forcibly, “you hear the prince’s decision? Take it as my decision; and let that be the end of the matter for good and all.”
“No, I didn’t,” said the prince, trembling a little, and in great agitation. “You say Gavrila Ardalionovitch has private communications with Aglaya?--Impossible!”“Oh, but Lebedeff cannot have been in Moscow in 1812. He is much too young; it is all nonsense.”
| “What? Pavlicheff’s son!” cried the prince, much perturbed. “I know... I know--but I entrusted this matter to Gavrila Ardalionovitch. He told me...” |
The prince had been listening attentively to Radomski’s words, and thought his manner very pleasant. When Colia chaffed him about his waggonette he had replied with perfect equality and in a friendly fashion. This pleased Muishkin.