A minute afterwards, Evgenie Pavlovitch reappeared on the terrace, in great agitation.
“She has promised to tell me tonight at her own house whether she consents or not,” replied Gania.
“Prince,” asked Nina Alexandrovna, “I wanted to inquire whether you have known my son long? I think he said that you had only arrived today from somewhere.”
The general wandered on in this disconnected way for a long time; it was clear that he was much disturbed by some circumstance which he could make nothing of.
“I must also admit,” said the prince, “that I have not seen much, or been very far into the question; but I cannot help thinking that you are more or less right, and that Russian liberalism--that phase of it which you are considering, at least--really is sometimes inclined to hate Russia itself, and not only its existing order of things in general. Of course this is only _partially_ the truth; you cannot lay down the law for all...”
After moistening his lips with the tea which Vera Lebedeff brought him, Hippolyte set the cup down on the table, and glanced round. He seemed confused and almost at a loss.
The prince reflected a little, but very soon he replied, with absolute conviction in his tone, though he still spoke somewhat shyly and timidly:
| “But he has never even--” |
“Yes, believe it or not! It’s all the same to me!”
| “Undoubtedly so; Siberia, of course!” |
| Several times during the last six months he had recalled the effect which the first sight of this face had had upon him, when he only saw its portrait. He recollected well that even the portrait face had left but too painful an impression. |
| “Oh, _curse_ Schneider and his dirty opinions! Go on.” |
The words were hardly out of her mouth, when Lebedeff dragged Vera forward, in order to present her.
| It was now Totski’s turn, and his story was awaited with great curiosity--while all eyes turned on Nastasia Philipovna, as though anticipating that his revelation must be connected somehow with her. Nastasia, during the whole of his story, pulled at the lace trimming of her sleeve, and never once glanced at the speaker. Totski was a handsome man, rather stout, with a very polite and dignified manner. He was always well dressed, and his linen was exquisite. He had plump white hands, and wore a magnificent diamond ring on one finger. |
| “Or taken it out of my pocket--two alternatives.” |
| “Don’t apologize,” said Nastasia, laughing; “you spoil the whole originality of the thing. I think what they say about you must be true, that you are so original.--So you think me perfection, do you?” |
| “But what a pretty girl! Who is she?” |
“Lef Nicolaievitch was a ward of Nicolai Andreevitch Pavlicheff, after the death of his own parents,” he remarked, meeting Ivan Petrovitch’s eye.
| “Why do you speak so?” he murmured. “Why do you ask my forgiveness?” |
X.
“There are a couple of torn volumes somewhere; they have been lying about from time immemorial,” added Alexandra.
Everyone seemed to be speaking prophetically, hinting at some misfortune or sorrow to come; they had all looked at him as though they knew something which he did not know. Lebedeff had asked questions, Colia had hinted, and Vera had shed tears. What was it?
“I was strict, but just by nature. At that time we were stationed in a small town. I was quartered at an old widow’s house, a lieutenant’s widow of eighty years of age. She lived in a wretched little wooden house, and had not even a servant, so poor was she.
So said the sisters. Of course, Lizabetha Prokofievna had foreseen it long before the rest; her “heart had been sore” for a long while, she declared, and it was now so sore that she appeared to be quite overwhelmed, and the very thought of the prince became distasteful to her.
| “Do you know, prince,” he said, in quite a different tone, “I do not know you at all, yet, and after all, Elizabetha Prokofievna would very likely be pleased to have a peep at a man of her own name. Wait a little, if you don’t mind, and if you have time to spare?” |
“You know quite well that I am telling the truth, because I have always been frank with you. I have never concealed my own opinion from you. I have always told you that I consider a marriage between you and her would be ruin to her. You would also be ruined, and perhaps even more hopelessly. If this marriage were to be broken off again, I admit I should be greatly pleased; but at the same time I have not the slightest intention of trying to part you. You may be quite easy in your mind, and you need not suspect me. You know yourself whether I was ever really your rival or not, even when she ran away and came to me.
“I think you might fairly remember that I was not in any way bound, I had no reason to be silent about that portrait. You never asked me not to mention it.”
Muishkin stopped short.
“Yes--for her!” said the prince softly and sadly, and bending his head down, quite unconscious of the fact that Aglaya was gazing at him with eyes which burned like live coals. “I came to find out something--I don’t believe in her future happiness as Rogojin’s wife, although--in a word, I did not know how to help her or what to do for her--but I came, on the chance.”
| “He has the right--the right--” murmured Burdovsky. “Excuse me, prince, but what are your arrangements?” asked Lebedeff, tipsy and exasperated, going up to Muishkin. |
All this occurred, of course, in one instant of time.
Heaven knows how long and upon what subjects he thought. He thought of many things--of Vera Lebedeff, and of her father; of Hippolyte; of Rogojin himself, first at the funeral, then as he had met him in the park, then, suddenly, as they had met in this very passage, outside, when Rogojin had watched in the darkness and awaited him with uplifted knife. The prince remembered his enemy’s eyes as they had glared at him in the darkness. He shuddered, as a sudden idea struck him.
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
| “He is a strange boy, thoughtless, and inclined to be indiscreet.” |
“It’s all right, Katia, let them all in at once.”
The prince did not hear the rest, because at this point the servant continued his communication in a whisper.
| “Oh, I don’t know what this means” cried Ivan Fedorovitch, transported with indignation. |
“And meanwhile I have never been able, in spite of my great desire to do so, to persuade myself that there is no future existence, and no Providence.
“Idiot!”