“Oh! _do_ go on, Lebedeff! Don’t drag it out so.” “How did you--find me here?” asked the prince for the sake of saying something.

“Gavrila Ardalionovitch begged me to give you this,” he said, handing her the note.

Gania was much confused, and blushed for shame “Do forgive me, prince!” he cried, suddenly changing his abusive tone for one of great courtesy. “For Heaven’s sake, forgive me! You see what a miserable plight I am in, but you hardly know anything of the facts of the case as yet. If you did, I am sure you would forgive me, at least partially. Of course it was inexcusable of me, I know, but--”
“Suppose we all go away?” said Ferdishenko suddenly.
“Oh, there is no reason, of course, and I suppose there is nothing in common between us, or very little; for if I am Prince Muishkin, and your wife happens to be a member of my house, that can hardly be called a ‘reason.’ I quite understand that. And yet that was my whole motive for coming. You see I have not been in Russia for four years, and knew very little about anything when I left. I had been very ill for a long time, and I feel now the need of a few good friends. In fact, I have a certain question upon which I much need advice, and do not know whom to go to for it. I thought of your family when I was passing through Berlin. ‘They are almost relations,’ I said to myself, ‘so I’ll begin with them; perhaps we may get on with each other, I with them and they with me, if they are kind people;’ and I have heard that you are very kind people!”
The prince had, of course, at once received him, and had plunged into a conversation about Hippolyte. He had given the doctor an account of Hippolyte’s attempted suicide; and had proceeded thereafter to talk of his own malady,--of Switzerland, of Schneider, and so on; and so deeply was the old man interested by the prince’s conversation and his description of Schneider’s system, that he sat on for two hours.
“You too, Alexandra Ivanovna, have a very lovely face; but I think you may have some secret sorrow. Your heart is undoubtedly a kind, good one, but you are not merry. There is a certain suspicion of ‘shadow’ in your face, like in that of Holbein’s Madonna in Dresden. So much for your face. Have I guessed right?
“Ask Gavrila Ardalionovitch to step this way,” said she to the man who answered.
“Eighteen thousand roubles, for me? Why, you declare yourself a fool at once,” she said, with impudent familiarity, as she rose from the sofa and prepared to go. Gania watched the whole scene with a sinking of the heart.
“I may have said so,” answered Hippolyte, as if trying to remember. “Yes, I certainly said so,” he continued with sudden animation, fixing an unflinching glance on his questioner. “What of it?”

“Yes--that’s a copy of a Holbein,” said the prince, looking at it again, “and a good copy, too, so far as I am able to judge. I saw the picture abroad, and could not forget it--what’s the matter?”

The prince knew that if he called at the Epanchins’ now he would only find the general, and that the latter might probably carry him straight off to Pavlofsk with him; whereas there was one visit he was most anxious to make without delay.
“Meek! What do you mean?”
“How foolish I am to speak of such things to a man like you,” said Vera, blushing. “Though you _do_ look tired,” she added, half turning away, “your eyes are so splendid at this moment--so full of happiness.”
“You were right, Totski,” said Nastasia, “it is a dull game and a stupid one. I’ll just tell my story, as I promised, and then we’ll play cards.”

She next turned to General Epanchin and observed, most courteously, that she had long since known of his daughters, and that she had heard none but good report; that she had learned to think of them with deep and sincere respect. The idea alone that she could in any way serve them, would be to her both a pride and a source of real happiness.

But here the two sisters could restrain themselves no longer, and both of them burst into irrepressible laughter.

The prince thought he knew what Gania meant by “such a moment.”

“Oh! it’s all the same to me now--_now!_ But at that time I would soak my pillow at night with tears of mortification, and tear at my blanket in my rage and fury. Oh, how I longed at that time to be turned out--_me_, eighteen years old, poor, half-clothed, turned out into the street, quite alone, without lodging, without work, without a crust of bread, without relations, without a single acquaintance, in some large town--hungry, beaten (if you like), but in good health--and _then_ I would show them--

“I never told either him or you that I loved him!” replied Nastasia Philipovna, with an effort. “And--and I did run away from him--you are right there,” she added, scarcely audibly.

Aglaya stopped, took the letter, and gazed strangely into the prince’s eyes. There was no confusion in her face; a little surprise, perhaps, but that was all. By her look she seemed merely to challenge the prince to an explanation as to how he and Gania happened to be connected in this matter. But her expression was perfectly cool and quiet, and even condescending.
“But why should they suppose that I despise generals?” Gania thought sarcastically to himself.
The prince said nothing, but entered the room, sat down silently, and stared at them, one after the other, with the air of a man who cannot understand what is being said to him. It was strange--one moment he seemed to be so observant, the next so absent; his behaviour struck all the family as most remarkable. At length he rose from his seat, and begged to be shown Nastasia’s rooms. The ladies reported afterwards how he had examined everything in the apartments. He observed an open book on the table, Madam Bovary, and requested the leave of the lady of the house to take it with him. He had turned down the leaf at the open page, and pocketed it before they could explain that it was a library book. He had then seated himself by the open window, and seeing a card-table, he asked who played cards.
“Why? If I had been sitting there now, I should not have had the opportunity of making these personal explanations. I see you are still uneasy about me and keep eyeing my cloak and bundle. Don’t you think you might go in yourself now, without waiting for the secretary to come out?”
“Yes--I dare say it is all as you say; I dare say you are quite right,” muttered the prince once more. “She is very sensitive and easily put out, of course; but still, she...”
“All right, my friend, talk away, talk away!” she remarked. “Only don’t lose your breath; you were in such a hurry when you began, and look what you’ve come to now! Don’t be afraid of speaking--all these ladies and gentlemen have seen far stranger people than yourself; you don’t astonish _them_. You are nothing out-of-the-way remarkable, you know. You’ve done nothing but break a vase, and give us all a fright.”
He walked to the far end of the verandah, where the sofa stood, with a table in front of it. Here he sat down and covered his face with his hands, and so remained for ten minutes. Suddenly he put his hand in his coat-pocket and hurriedly produced three letters.

He laid much stress on the genius of the sufferer, as if this idea must be one of immense solace in the present crisis.

“I do so want to hear about it,” repeated Adelaida.
“Oh, I assure you I’ve lots of time, my time is entirely my own!” And the prince immediately replaced his soft, round hat on the table. “I confess, I thought Elizabetha Prokofievna would very likely remember that I had written her a letter. Just now your servant--outside there--was dreadfully suspicious that I had come to beg of you. I noticed that! Probably he has very strict instructions on that score; but I assure you I did not come to beg. I came to make some friends. But I am rather bothered at having disturbed you; that’s all I care about.--”

“Be quiet, Gania,” cried Colia. “Shut up, you fool!”

“Perhaps you are right,” said the prince, smiling. “I think I am a philosopher, perhaps, and who knows, perhaps I do wish to teach my views of things to those I meet with?”
The prince was rather alarmed at all this, and was obliged to end by appointing the same hour of the following day for the interview desired. The general left him much comforted and far less agitated than when he had arrived.
The prince bestirred himself to give orders. Lebedeff hurried out, followed by Vera.
“And, meanwhile both his legs are still on his body,” said the prince, laughing. “I assure you, it is only an innocent joke, and you need not be angry about it.”
The prince took his banknote out and showed it to Ferdishenko. The latter unfolded it and looked at it; then he turned it round and examined the other side; then he held it up to the light.

“Vera just told me. She tried to persuade me not to come, but I couldn’t help myself, just for one minute. I have been having my turn at the bedside for the last two hours; Kostia Lebedeff is there now. Burdovsky has gone. Now, lie down, prince, make yourself comfortable, and sleep well! I’m awfully impressed, you know.”

It struck him that the idea of the duel might not have occurred to Keller alone, but that his lesson in the art of pistol-loading might have been not altogether accidental! “Pooh! nonsense!” he said to himself, struck by another thought, of a sudden. “Why, she was immensely surprised to find me there on the verandah, and laughed and talked about _tea!_ And yet she had this little note in her hand, therefore she must have known that I was sitting there. So why was she surprised? Ha, ha, ha!”
Late in the evening Colia came in with a whole budget of Petersburg and Pavlofsk news. He did not dwell much on the Petersburg part of it, which consisted chiefly of intelligence about his friend Hippolyte, but passed quickly to the Pavlofsk tidings. He had gone straight to the Epanchins’ from the station. A young fellow entered the ante-room at this moment, with a bundle of papers in his hand. The footman hastened to help him take off his overcoat. The new arrival glanced at the prince out of the corners of his eyes. “Yes, I’ve been looking for you. I waited for you at the Epanchins’ house, but of course I could not come in. I dogged you from behind as you walked along with the general. Well, prince, here is Keller, absolutely at your service--command him!--ready to sacrifice himself--even to die in case of need.”
She took the handkerchief from her face, glanced keenly at him, took in what he had said, and burst out laughing--such a merry, unrestrained laugh, so hearty and gay, that Adelaida could not contain herself. She, too, glanced at the prince’s panic-stricken countenance, then rushed at her sister, threw her arms round her neck, and burst into as merry a fit of laughter as Aglaya’s own. They laughed together like a couple of school-girls. Hearing and seeing this, the prince smiled happily, and in accents of relief and joy, he exclaimed “Well, thank God--thank God!”

“Who are these people?” said the prince.

“Yes, I shall marry her--yes.”
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
“Why? Do you hate me so much as all that?” The prince made his bows and retired at once. Alexandra and Adelaida smiled and whispered to each other, while Lizabetha Prokofievna glared severely at them. “We are only laughing at the prince’s beautiful bows, mamma,” said Adelaida. “Sometimes he bows just like a meal-sack, but to-day he was like--like Evgenie Pavlovitch!”
“I asked Nicolai Ardalionovitch...”
“No, no, no, can’t _bear_ him, I can’t _bear_ your young man!” cried Aglaya, raising her head. “And if you dare say that _once_ more, papa--I’m serious, you know, I’m,--do you hear me--I’m serious!”

“Oh, nothing more, nothing more! I was saying to myself but now... ‘I am quite unworthy of friendly relations with him,’ say I; ‘but perhaps as landlord of this house I may, at some future date, in his good time, receive information as to certain imminent and much to be desired changes--’”

“Oh yes, and in three days you’ll come and invite me yourself. Aren’t you ashamed now? These are your best feelings; you are only tormenting yourself.”

“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.

Rogojin continued to laugh loudly. He had listened to the prince’s speech with curiosity and some satisfaction. The speaker’s impulsive warmth had surprised and even comforted him.

However, she had not reached the outer hall when she turned round, walked quickly up to Nina Alexandrovna, seized her hand and lifted it to her lips.

“Why, he knows everything--Lebedeff knows everything! I was a month or two with Lihachof after his father died, your excellency, and while he was knocking about--he’s in the debtor’s prison now--I was with him, and he couldn’t do a thing without Lebedeff; and I got to know Nastasia Philipovna and several people at that time.”

“No, certainly not, no more than yourself, though at first I thought I was.”

“With that she did as she had said she would; she went to bed, and did not lock her door. In the morning she came out. ‘Are you quite mad?’ she said, sharply. ‘Why, you’ll die of hunger like this.’ ‘Forgive me,’ I said. ‘No, I won’t, and I won’t marry you. I’ve said it. Surely you haven’t sat in this chair all night without sleeping?’ ‘I didn’t sleep,’ I said. ‘H’m! how sensible of you. And are you going to have no breakfast or dinner today?’ ‘I told you I wouldn’t. Forgive me!’ ‘You’ve no idea how unbecoming this sort of thing is to you,’ she said, ‘it’s like putting a saddle on a cow’s back. Do you think you are frightening me? My word, what a dreadful thing that you should sit here and eat no food! How terribly frightened I am!’ She wasn’t angry long, and didn’t seem to remember my offence at all. I was surprised, for she is a vindictive, resentful woman--but then I thought that perhaps she despised me too much to feel any resentment against me. And that’s the truth.
“I do not despise toil; I despise you when you speak of toil.”
She was a fine woman of the same age as her husband, with a slightly hooked nose, a high, narrow forehead, thick hair turning a little grey, and a sallow complexion. Her eyes were grey and wore a very curious expression at times. She believed them to be most effective--a belief that nothing could alter.
Little by little the family gathered together upstairs in Lizabetha Prokofievna’s apartments, and Prince Muishkin found himself alone on the verandah when he arrived. He settled himself in a corner and sat waiting, though he knew not what he expected. It never struck him that he had better go away, with all this disturbance in the house. He seemed to have forgotten all the world, and to be ready to sit on where he was for years on end. From upstairs he caught sounds of excited conversation every now and then.
“Better not read it now,” said the prince, putting his hand on the packet.
The prince bestirred himself to give orders. Lebedeff hurried out, followed by Vera.
“Was he one of the Old Believers?”
Lebedeff had roused great indignation in some of his auditors (it should be remarked that the bottles were constantly uncorked during his speech); but this unexpected conclusion calmed even the most turbulent spirits. “That’s how a clever barrister makes a good point!” said he, when speaking of his peroration later on. The visitors began to laugh and chatter once again; the committee left their seats, and stretched their legs on the terrace. Keller alone was still disgusted with Lebedeff and his speech; he turned from one to another, saying in a loud voice:
All three of the Miss Epanchins were fine, healthy girls, well-grown, with good shoulders and busts, and strong--almost masculine--hands; and, of course, with all the above attributes, they enjoyed capital appetites, of which they were not in the least ashamed.
“May I ask why? and also why you walk about on tiptoe and always seem as if you were going to whisper a secret in my ear whenever you come near me?”
“So I had decided, my friend; not to give her up to anyone,” continued Rogojin. “We’ll be very quiet. I have only been out of the house one hour all day, all the rest of the time I have been with her. I dare say the air is very bad here. It is so hot. Do you find it bad?”
“No, but you--”

“_What_ poor knight?” asked Mrs. Epanchin, looking round at the face of each of the speakers in turn. Seeing, however, that Aglaya was blushing, she added, angrily:

“If that is the case, why did you begin by making such a fuss about it?” asked the astonished prince.
He stood there for a minute and then, suddenly and strangely enough, it seemed to him that a little corner of one of the blinds was lifted, and Rogojin’s face appeared for an instant and then vanished. He waited another minute, and decided to go and ring the bell once more; however, he thought better of it again and put it off for an hour.

“I do desire it,” murmured Gania, softly but firmly, lowering his eyes; and he relapsed into gloomy silence.

“H’m! and you think there was something of this sort here, do you? Dear me--a very remarkable comparison, you know! But you must have observed, my dear Ptitsin, that I did all I possibly could. I could do no more than I did. And you must admit that there are some rare qualities in this woman. I felt I could not speak in that Bedlam, or I should have been tempted to cry out, when she reproached me, that she herself was my best justification. Such a woman could make anyone forget all reason--everything! Even that moujik, Rogojin, you saw, brought her a hundred thousand roubles! Of course, all that happened tonight was ephemeral, fantastic, unseemly--yet it lacked neither colour nor originality. My God! What might not have been made of such a character combined with such beauty! Yet in spite of all efforts--in spite of all education, even--all those gifts are wasted! She is an uncut diamond.... I have often said so.”